| | | | | | A record 37,427 entries from 97 countries have been submitted for consideration at this year's Cannes Lions awards. | | | | | | | | | | | | | Asos has partnered with MasterCard to celebrate an #EpicSummer, in a social media campaign encouraging consumers to share pictures of their best moments on Instagram and Twitter, with the best being awarded prizes including tickets to concerts. | | | | | | | | | | | | | This week, Steve Filler, chief executive of tech and distribution, Europe, at video content and distribution company Rockabox, explores new creative formats, dons Lycra and blags party invites ahead of Cannes. | | | | | | | | | | | | | It's time to redefine performance delivery, says AdConnection's chief executive, Catherine Becker. | | | | | | | | | | | | | Jon Lipsey, the former editor of Dennis Publishing's Men's Fitness, explains why he moved into app-only publishing with digital fitness magazine IronLife, which was launched in May with a team including former Men's Fitness deputy-editor Joe Warner. | | | | | | | | | | | | | Ben Fender, chief executive and founder of the experiential specialist Drive Worldwide group, explains why Drive bought the London-based Figure Digital, the first "virtual reality agency". | | | | | | | | | | | | | | | | | Could greater investment in programming boost commercial TV viewers, thus combating ad inflation? By David Benady. | | | | | | | | | | | | | The GQ editor explains how quality writing and a commercial outlook helped the magazine avoid the fate of its competitors. By Arif Durrani. | | | | | | | | | | | | | There is a reason why Eskimos have 100 different words for snow. Right now, the media industry can learn a lot from this. | | | | | | | | | | | | | If done right, branded content can be equally as engaging and meaningful as traditional journalism, says Lewis D'Vorkin. | | | | | | | | | | | | | Kopparberg, the Swedish cider brand, has teamed up with the publisher of Stylist and ShortList magazines to create Eklectik, a one-off magazine with 400,000 copies to be distributed next week. | | | | | | | | | | | | | Amid declining sales and ad revenues, do magazines remain a medium to be reckoned with, David Benady asks. | | | | | | | | | | | | | | | | | | A major new study predicts how media will change through to 2020, and why. | | | | | | | | | | | | | It is time to put an end to the term media agency and the industry should take some of its own marketing medicine, says Havas Media's chief executive, Paul Frampton. | | | | | | | | | | | | | Zoe Jones, marketing director at Digital Cinema Media, takes a look at some of the big screen opportunities for brands in the upcoming World Cup and the summer film season. | | | | | | | | | | | | | Looking at the pros and cons of using agency trading desks vs independents is admirable, but it's simplifying to a fault the complexity that is the advertising technology space, says Adrian Lacey, managing director of Crimtan. | | | | | | | | | | | | | TV, traditionally the blunt-edged weapon in the media agency's armoury, is becoming more rapier-like, and now it's time to rethink how it mixes with online video, says Neil Cunningham, head of digital at Cream UK. | | | | | | | | | | |
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