| | | | | | With nine days to go until the Fifa World Cup 2014, Twitter has revealed its dream team starting 11 based on the most mentioned players on the site, including a front three of Cristiano Ronaldo, Wayne Rooney and Neymar Junior. | | | | | | | | | | | | | Kopparberg, the Swedish cider brand, has teamed up with the publisher of Stylist and ShortList magazines to create Eklectik, a one-off magazine with 400,000 copies to be distributed next week. | | | | | | | | | | | | | The Times and The Sunday Times have given a selection of independent film-makers access to its staff and 229 years of archive material to make a series of short films. | | | | | | | | | | | | | Bliss, the monthly magazine for teenage girls, is closing after 19 years of publication. | | | | | | | | | | | | | LinkedIn, the social networking site for professionals, has launched its first UK brand campaign, which aims to drive brand perception and engagement among its 15 million British members. | | | | | | | | | | | | | Television ad spots during this summer's World Cup could be priced as high as £400,000 should the England team advance beyond the group stages to the knockout phase. | | | | | | | | | | | | | | | | | The GQ editor explains how quality writing and a commercial outlook helped the magazine avoid the fate of its competitors. By Arif Durrani. | | | | | | | | | | | | | There is a reason why Eskimos have 100 different words for snow. Right now, the media industry can learn a lot from this. | | | | | | | | | | | | | If done right, branded content can be equally as engaging and meaningful as traditional journalism, says Lewis D'Vorkin. | | | | | | | | | | | | | Could greater investment in programming boost commercial TV viewers, thus combating ad inflation? By David Benady. | | | | | | | | | | | | | It's a small world, advertising. Barely a week goes by without bumping into someone you last saw in a trading estate reception or on a sweaty university dance floor. We're a tight social group, which can be fun. However, it's also testament to the narrowness and homogeneity of the industry as a whole. | | | | | | | | | | | | | Future, the publisher of Total Film, T3 and Gizmodo, is selling its craft and sport portfolios, almost a quarter of its entire business, to Immediate Media for £24 million, subject to shareholder approval. | | | | | | | | | | | | | | | | | | It is time to put an end to the term media agency and the industry should take some of its own marketing medicine, says Havas Media's chief executive, Paul Frampton. | | | | | | | | | | | | | Zoe Jones, marketing director at Digital Cinema Media, takes a look at some of the big screen opportunities for brands in the upcoming World Cup and the summer film season. | | | | | | | | | | | | | Looking at the pros and cons of using agency trading desks vs independents is admirable, but it's simplifying to a fault the complexity that is the advertising technology space, says Adrian Lacey, managing director of Crimtan. | | | | | | | | | | | | | TV, traditionally the blunt-edged weapon in the media agency's armoury, is becoming more rapier-like, and now it's time to rethink how it mixes with online video, says Neil Cunningham, head of digital at Cream UK. | | | | | | | | | | | | | In an age dominated by performance marketing and programmatic buying, how is out-of-home's £19 million audience delivery system, Route, helping clients improve the efficiency of their investment? Mark Henson, head of business development at Primesight, explores. | | | | | | | | | | |
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