| | | | | | A boy band with a difference helped push peak audience figures for this year's Britain's Got Talent final past 12 million on Saturday night. | | | | | | | | | | | | | Which World Cup sponsor will create the biggest buzz? Which brand will come up with the most memorable tweet or Vine? Whose content will draw the most clicks? | | | | | | | | | | | | | Unilever has created a documentary-style ad for Comfort fabric conditioner made by Ogilvy & Mather London and Singapore, which features the stories of two different mothers. | | | | | | | | | | | | | Adidas is launching a YouTube series called 'The Dugout' that will feature live shows broadcast from Rio starring Brazilian football stars Kaka, Cafu and Lucas Moura. | | | | | | | | | | | | | EE, the network provider, has unveiled the latest instalment in its Gold Spot ad campaign, based on five of the most viral online videos that have been given a "4G makeover". | | | | | | | | | | | | | Scott Knox, the managing director of the Marketing Agencies Association (MAA), explains why he is concerned the government's plans on "payment terms" will not go far enough. | | | | | | | | | | | | | | | | | As Mercedes-Benz finds that one ad has only been 'viewed' by bots, Maisie McCabe looks at the scale of the issue. | | | | | | | | | | | | | After a turbulent year for the agency, ZenithOptimedia has challenged Stefan Bardega to shape its future as a digital entity. By David Benady. | | | | | | | | | | | | | The New York Times had a bit of a leak the other week - an internal report on how they were doing at "digital". It was depressingly familiar reading for those who have been trying to get organisations to "do digital" for a very long time, but you have to hand it to them: at least they commissioned a report and they got people who were smart enough to write a really good one. | | | | | | | | | | | | | The Immediate boss is confident that the purchase of Future's cycling and craft titles will prove profitable. By Arif Durrani. | | | | | | | | | | | | | Television is not the only traditional medium to have had a strong start to 2014. New figures this week confirm what many in the business have been alluding to for some time: radio is enjoying a renaissance. | | | | | | | | | | | | | Tony Hertz, the only winner of both black and yellow D&AD Pencils for radio work, makes the case for more on-air emotion. | | | | | | | | | | | | | | | | | | It's time to redefine performance delivery, says AdConnection's chief executive, Catherine Becker. | | | | | | | | | | | | | A major new study predicts how media will change through to 2020, and why. | | | | | | | | | | | | | It is time to put an end to the term media agency and the industry should take some of its own marketing medicine, says Havas Media's chief executive, Paul Frampton. | | | | | | | | | | | | | Zoe Jones, marketing director at Digital Cinema Media, takes a look at some of the big screen opportunities for brands in the upcoming World Cup and the summer film season. | | | | | | | | | | | | | Looking at the pros and cons of using agency trading desks vs independents is admirable, but it's simplifying to a fault the complexity that is the advertising technology space, says Adrian Lacey, managing director of Crimtan. | | | | | | | | | | |
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