| | | Dave Henderson, the executive creative director at DLKWLowe, explains the birth of the Executive Creative Directors Council. | | |
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| | | A golden statuette must be high on the list of those who work in the creative industries. RSA Films' Mat Kirkby and James Lucas tell Kate Magee about theirs. | | |
| | | Andrew Cracknell wonders why adland authors of books about agencies are so full of vitriol for the industry that employs them. | | |
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| | | A mastery of big data can tell marketers what is possible but they will still have to decide for themselves the right thing to do, Simon James writes. | | |
| | | Here's a question: when is a media review not a review? Answer: when it concerns Tesco's multimillion-pound media business that has been handled by Interpublic's Initiative for more than 20 years. | | |
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| | | For quite a while now, I've been in dialogue via a lawyer with the police. They are investigating the Mirror newspapers over phone-hacking... | | |
| | | As Guardian Media Group's chief executive prepares to step down, he tells Arif Durrani about the challenges of steering a "powder keg of a business" and how the 'open' strategy is working. | | |
| | | The social media giant has released its debut UK ad campaign, but will it win any new friends, Gurjit Degun asks. | | |
| | | Ian Priest discusses the impact that his IPA president's agenda has had on the industry during his two years in office. | | |
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| | | Nobody doubts that the music industry was changed forever on 1 August 1981, the day that MTV launched in New York on cable. | | |
| | | How do brands figure out who buys most effectively when media is discounted rather than full price, John Billett asks. | | |
| | | Agencies have much to learn about collaboration and tailor-made teams from Jogi Löw's football squad | | |
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