| | | | | | As social media becomes awash with football chat, advertisers are finding ways to make a presence. By Catherine Turner. | | | | | | | | | | | | | Guardian Labs has hired the Critical Mass executive creative director, Alistair Campbell, to be its first creative director. | | | | | | | | | | | | | Kevin Costello, the chairman of the Professional Publisher's Association and chief executive of Haymarket Media Group, today announced plans for an independent marketing agency to lobby for the consumer magazine industry. | | | | | | | | | | | | | Channel 5 has secured mutual life and pensions company Royal London Group as sponsors of its One Day Series cricket highlights for 2014. | | | | | | | | | | | | | It is hoped that this week's annual get-together of the magazine industry will be nothing short of revolutionary. More than 500 media executives are expected at the PPA's Reinvented event: a name designed to convey the change that has already taken place across the business, although I'd argue something less complete - such as "Reinventing" - would be more appropriate. | | | | | | | | | | | | ADVERTISEMENT | | | | | | | | | | | | | | | The audience measurement system took five years to make, but is it fulfilling its potential? Maisie McCabe reports. | | | | | | | | | | | | | Future, the British publisher of Total Film, T3 and the TechRadar site, has faced up to a sobering reality. In an e-mail to staff in the UK, the US and Australia this month, the chief executive, Zillah Byng-Maddick, gave a frank assessment of the company's performance. | | | | | | | | | | | | | Arif Durrani explores what the future might hold for the broadcaster's commercial operation after its pending sale. | | | | | | | | | | | | | 4oD still offers something YouTube can't, Channel 4's head of digital innovation and partnerships tells Arif Durrani. | | | | | | | | | | | | | | | | | | Zoe Jones, marketing director at Digital Cinema Media, takes a look at some of the big screen opportunities for brands in the upcoming World Cup and the summer film season. | | | | | | | | | | | | | Looking at the pros and cons of using agency trading desks vs independents is admirable, but it's simplifying to a fault the complexity that is the advertising technology space, says Adrian Lacey, managing director of Crimtan. | | | | | | | | | | | | | TV, traditionally the blunt-edged weapon in the media agency's armoury, is becoming more rapier-like, and now it's time to rethink how it mixes with online video, says Neil Cunningham, head of digital at Cream UK. | | | | | | | | | | | | | In an age dominated by performance marketing and programmatic buying, how is out-of-home's £19 million audience delivery system, Route, helping clients improve the efficiency of their investment? Mark Henson, head of business development at Primesight, explores. | | | | | | | | | | | | | Independent trading desks claim to be more saintly than agency trading desks. Are they right? Tom Denford, co-founder of ID Comms, explores. | | | | | | | | | | |
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