| | | | | | Google has overtaken Apple as the world's most valuable brand, according to the BrandZ Top 100 ranking, having grown 40% in the last year, while arch rival Apple fell 20%. | | | | | | | | | | | | | Hearst Magazines UK, the publisher of Cosmopolitan, Elle and Esquire, has promoted Michael Rowley, the group publishing director for its weekly and lifestyle publications, to the new role of managing director, brands. | | | | | | | | | | | | | This week, Jamie Wilson, managing director for sales, Northern Europe and MENA, Perform, meets the Premier League and NFL, inks a major deal for Perform's sport content player, ePlayer, and has a close shave on a Boris Bike. | | | | | | | | | | | | | | | | | The audience measurement system took five years to make, but is it fulfilling its potential? Maisie McCabe reports. | | | | | | | | | | | | | Future, the British publisher of Total Film, T3 and the TechRadar site, has faced up to a sobering reality. In an e-mail to staff in the UK, the US and Australia this month, the chief executive, Zillah Byng-Maddick, gave a frank assessment of the company's performance. | | | | | | | | | | | | | Arif Durrani explores what the future might hold for the broadcaster's commercial operation after its pending sale. | | | | | | | | | | | | | There was a fantastic amount of tub-thumping going on at Media360 last week, with many clearly feeling reinvigorated amid what Claire Enders dubbed our "wonderful economic revival". | | | | | | | | | | | | | It hit me last week. Perhaps I'm getting more sensitive as I ripen. But I saw some new work on the telly box and found myself reeling at how impersonal it has all got. | | | | | | | | | | | | | 4oD still offers something YouTube can't, Channel 4's head of digital innovation and partnerships tells Arif Durrani. | | | | | | | | | | | | | | | | | | Zoe Jones, marketing director at Digital Cinema Media, takes a look at some of the big screen opportunities for brands in the upcoming World Cup and the summer film season. | | | | | | | | | | | | | Looking at the pros and cons of using agency trading desks vs independents is admirable, but it's simplifying to a fault the complexity that is the advertising technology space, says Adrian Lacey, managing director of Crimtan. | | | | | | | | | | | | | TV, traditionally the blunt-edged weapon in the media agency's armoury, is becoming more rapier-like, and now it's time to rethink how it mixes with online video, says Neil Cunningham, head of digital at Cream UK. | | | | | | | | | | | | | In an age dominated by performance marketing and programmatic buying, how is out-of-home's £19 million audience delivery system, Route, helping clients improve the efficiency of their investment? Mark Henson, head of business development at Primesight, explores. | | | | | | | | | | | | | Independent trading desks claim to be more saintly than agency trading desks. Are they right? Tom Denford, co-founder of ID Comms, explores. | | | | | | | | | | |
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