| | | | | | Harvey Nichols is again subverting the traditional seasonal sentiment in its 2014 Christmas campaign and follow-up to last year's "sorry, I spent it on myself". | | | | | | Nik Upton, the Joint co-founder, has left the independent agency, whose clients include TSB. | | | | | | Harry Enfield stars in this year's Save the Children's Christmas Jumper Day ad, in a spoof of alcohol brand Southern Comfort's "whatever's comfortable" by Wieden & Kennedy. | | | | | | Unsold jumble sale items come alive and sing 'I Want To Know What Love Is' in a new campaign for Freeview, the free-to-air digital TV service. | | | | | | | Consider yourself as funny as Paul Lawson, creative as Nils Leonard or savvy as James Murphy? Answer the next 10 questions to find out which influential A-Lister you most closely resemble. | | | | | | McCann London has hired Theo Izzard-Brown, a planning director at Wieden & Kennedy London, as its head of strategy. | | | | | | Arla Foods, the owner of the dairy brands Lurpak and Anchor, is looking for an agency ahead of a global push. | | | | | | Coca-Cola is looking for an agency to handle digital and social advertising for a range of its brands in the UK. | | | | | | | Diageo and Guardian Labs are testing a new approach to branded content for Baileys that uses data to inform content strategy in real-time. | | | | | | Bailey's has released a digital campaign featuring Daisy Lowe to complement its new "here's to us" position. | | | | | | Tu, the Sainsbury's clothing brand, has launched its Christmas jumpers with a video on Facebook featuring dads dancing to dubstep, generating one million views in two days. | | | | | | Absolut Vodka has appointed AnalogFolk to manage its global social media activity. | | | | | | EBay has appointed Naked Communications to handle its social media and content across Europe. | | | | | | Ami Hasan, the chairman of the Scandinavian agencies Hasan & Partners and Perfect Fools, has called on industry leaders to speak out "against the shady practices" in awards judging. | | | | | | |
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