| | | | | | Starcom MediaVest Group's global chief executive talks to Claire Beale about the need for talent and the new media agency model. | | | | | | He is from one of the pre-eminent directing bloodlines and a talented film-maker in his own right, with two of 2014's biggest ads to his name. But even that's not enough to open doors in the UK commercials business, Jake Scott tells James Swift. | | | | | | When the director Ringan Ledwidge stood up at a Now event last week and talked about the need (the absolute requirement, even) to fight (literally, perhaps) for great ideas, he hardly had to convince his creative agency audience. | | | | | | Matt Edwards, the chief executive of WCRS, finds some of the naive ideas at The Talent Business' Cream exhibition show the need for young creatives to be encouraged to critique each others' work. | | | | | | If there is one thing that's pretty much guaranteed about any TV show that features ad agencies, it's that they will be made to look like feckless, vainglorious fools. | | | | | | Is London once again a regional centre of creative excellence? It's an optimistic (and therefore attractive enough) theory that was put to me by one buoyant agency chief executive recently. | | | | | | The new D&AD Annual is a mixed bag to look at but delivers a powerful message about the association's brave vision, Nils Leonard says. | | | | | | Can the social media platform establish itself as an effective e-commerce channel for brands, David Benady asks. | | | | | | | | With regulator Ofgem launching a review of energy firms' communications with customers in debt amid concerns over potentially misleading letters, Stack's chief executive, Liz Wilson, looks at lesson that should be learnt. | | | | | | |
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